Dark Morning, Take 1
Painterly Space in Time Torrents of Rivulets With the low, slow, and even rhythm opening Peter’s piece I build the image from the bottom up with mostly large dark marks leading to the first high trill, which I am able to hit on cue with a burst from the canned air gun...
Jazz Counterpoint 101
About This Work I composed this piece in 2007 as a challenge to myself—could I write a convincing piece of music for piano with just two voices? There were other limitations, expectations, and general rules involved. Most importantly, it had to be in a contemporary...Improvisations on the Ledge
Improvisations on The Ledge
In "Improvisations on the Ledge," award-winning composer-pianist Peter Saltzman searches for universal truths by stumbling upon them—both with words and music. The basic premise is simple: he improvises on the piano, then talks about what the music tells him. Then makes music about what the talking tells him. Then...well, it goes on like this. Droll, funny, dramatic, musical, short.
Rearview Mirror
Remember the Theme
Using jazz educator David Bloom’s metaphor, musicians need to look in the rearview mirror and remember the theme if they wish to move forward. But when you look back, you are not just remembering what you played at the beginning of an improvisation—you’re remembering all of that music that got you to the point of even being able to look back in the first place.
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