Uncategorized Archives - Peter Saltzman

American Tune: A String Quartet in Four Acts

by Peter Saltzman | Jan 20, 2023 | Uncategorized, Music, Sheet Music

A Masterpiece from My Middle Period Peter Saltzman · American Tune: A String Quartet in Four Acts (LIVE RECORDING) By the time you reach thirty or so, if you have designs on becoming a great composer, you should have pretty much mastered the art. At least, that’s what...

The Song in Between

by Peter Saltzman | Sep 30, 2020 | Uncategorized, Featured Track

Peter Saltzman · The Song In Between-09_16_2020 Lyrical Improvisation The song in between what? In between all of the other non-song stuff that happens? That can’t be it because I really think of all my improvisations as extended songs—tunes that go beyond...

IOTL #19: Zen and the Art of Free Improvisation

by Peter Saltzman | Jul 22, 2019 | IOTL, Uncategorized

Are free will and free improvisation truly free, or am I deluding myself? And is deluding myself a necessary condition for free will/improvisation? Free improvisation is a primary theme of my podcast, Improvisations on the Ledge, so it’s probably about time to...

The Next Two Minutes

by Peter Saltzman | Jul 10, 2018 | One Human Minute, Uncategorized

When the Trees Grew Back The title song that kicked off the One Human Minute 60-song cycle a few weeks is a kind of intro, an opening statement, or thesis for the larger work. With song #2 things really get off and running as the protagonist goes out for a run but...

When The Trees Grew Back

Improvisations on the Ledge

Improvisations on The Ledge

In “Improvisations on the Ledge,” award-winning composer-pianist Peter Saltzman searches for universal truths by stumbling upon them—both with words and music. The basic premise is simple: he improvises on the piano, then talks about what the music tells him. Then makes music about what the talking tells him. Then…well, it goes on like this. Droll, funny, dramatic, musical, short.

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The moment a theme is stated, it wants to do something. What? Like all lifeforms, it wants to replicate, mutate, transform…become something. That something is musical structure.

How we get from a single note to a theme (motif), to a full-blown musical structure (song, free improvisation, symphony) is seemingly a mystery. And yet it’s not.

Due to a naturally occurring acoustical phenomenon known as the overtone series, one note is not actually one note—there are in fact many notes vibrating above the single note (the fundamental) we think we’re hearing exclusively.

But consciously or not, we have an innate awareness of those other notes, the overtones that ring out from the fundamental. And that awareness, at some point in human history, led us to pluck those notes out of the air, string them together into themes.

And then what did we do? We repeated those motifs, and they become something larger. First simple melodies. Then, as we repeated, we varied: shifted a pitch here, altered the rhythm there, played the motivic idea from another starting point in the scale.

In no time (though nobody knows how many centuries or millennia “no time” took to unfold) we had the beginnings of musical structure.
Music exists in time, evolves in time. As soon as you repeat something over time, and then vary it, you are effectively creating an incipient structure—whether you intend to or not.

At some point in musical history, humans began to mean it—to order notes intentionally. But that intention always leads back to one note which has within it the potential to become all notes—themes, melodies, songs, and larger structures.

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